What are the event details for Timmy No Brakes at Arlene Schnitzer Concert Hall?
Timmy No Brakes will perform at the Arlene Schnitzer Concert Hall in Portland, Oregon from December 18 to December 20, 2026. This event promises a unique blend of concerts and comedy, showcasing the artist's dynamic range.
What is the seating arrangement at Arlene Schnitzer Concert Hall?
The Arlene Schnitzer Concert Hall features a total capacity of 2,776 seats (2,808 with pit). The seating includes Orchestra, Mezzanine, and Balcony levels. The best seats are located in the center sections of the Orchestra (rows F-P) for optimal sound and proximity.
How can I secure mobile tickets for this event?
You can secure mobile tickets for Timmy No Brakes by visiting portland-tickets.com. The platform offers a straightforward purchasing process, ensuring you receive legitimate tickets directly to your mobile device.
What are the parking options near Arlene Schnitzer Concert Hall?
Parking options near the Arlene Schnitzer Concert Hall include several Smart Park garages within walking distance. The closest is Smart Park Garage - 10th Ave at 730 SW 10th Ave, with rates around $1.80-3/hr. Additionally, public transport via MAX Light Rail is recommended, stopping at Pioneer Courthouse Square nearby.
Are there any age restrictions for this event?
Age restrictions for Timmy No Brakes may apply. It is advisable to check specific guidelines on portland-tickets.com or the venue's official website prior to purchasing tickets.
What is the typical setlist duration for Timmy No Brakes performances?
The typical setlist duration for Timmy No Brakes performances ranges from 90 minutes to two hours, depending on the show format and audience engagement.
What are the bag policies at Arlene Schnitzer Concert Hall?
Arlene Schnitzer Concert Hall has specific bag policies in place. It is recommended to bring only necessary items and check their official website for detailed guidelines on permitted bag sizes and types.
What are the prices for tickets to see Timmy No Brakes?
Prices currently start around $120 and can go up to $500+, depending on demand and seating selection. It is advisable to purchase tickets early as prices may vary based on market demand.
What public transport options are available in Portland to reach the venue?
Public transport options include the MAX Light Rail, which stops at Pioneer Courthouse Square, just a short walk from the venue. This is a convenient and economical way to reach Arlene Schnitzer Concert Hall.
What are some nearby restaurants for pre-show dining?
- Jake's Famous Crawfish: A renowned seafood institution located at 401 SW 12th Ave.
- Higgins Restaurant & Bar: Offers farm-to-table dining at 1239 SW Broadway.
- Kenny & Zuke's Delicatessen:
Timmy No Brakes Portland Concert reviews
Catastrophe
This production, however, surpassed our low expectations, being even more disjointed and confusing than seemed possible. The group dances had the potential to be visually interesting, but very few of the moves were particularly original and the slightly unsynchronized motions were unsettling. Additionally, the orchestration did not coordinate with the dances or actions performed on stage. The dancers would move wildly before or after a crescendo in the music, thereby reducing any emphasis that could have been created. I understand the need for metaphorical or exaggerated movements to tell the story, but the actions of the dancers and the dynamics of the music infused more confusion into the storytelling than purpose.
The lighting cues merely served to further diffuse any emphasis in the story. The intelligent lights swooped and changed colors at random, bringing back memories of high school dance shows. Random gobos rotated through, such as a window or a series of stars, and their presence was not reflected or reinforced by the action at the time. The main spotlights they were using had to throw from the technical booth at the top of the upper balcony. This wouldn't have been a problem except for the fact that the theater was full of diffusion and the beam was very distracting as it flashed on and off. The cooling gel in the spotlight was also too subtle to notice on top of the overpowering intel lights, adding to the confusion as to where our focus should be directed. In regards to the technical aspects, I was thoroughly unimpressed and somewhat disappointed as to how many queuing mistakes were made, including missed bumps at the end of songs.
His songs go on perpetually with a highly unmemorable melody. Some songs seem to end three or four times in succession, while the first four songs in the first act had no end and merely trailed right into the next. The choral storytelling harkens to opera, where the sung words sound like an unintelligible foreign language. Some of the singers themselves were not very good, demonstrating poor breathing or just an unemotional presentation. The story itself is completely nonsensical, being created from a collection of poems rather than from a story. As a result, characters appear, do a bizarre dance with spoons, and then never return. Finally, Andrew Lloyd Weber is a composer that you either love or hate.